Director Nag Ashwin is underscoring the scarcity of science fiction in the current cinematic landscape. He notes the arrival of a few time-travel movies but implies that genuine and compelling science fiction narratives are relatively rare. This scarcity sets the stage for his film, Kalki 2898 AD, which he describes as a profoundly distinct and unique story set in an unparalleled world.
Ashwin draws attention to how Hollywood futuristic films have shaped our perception of the future, particularly in the portrayal of cities. He aims to offer audiences a glimpse of India’s future cities through ‘Kalki,’ showcasing an imaginative and innovative vision of what’s to come.
The director emphasizes the extensive labor invested in ‘Kalki,’ spanning a lengthy fifteen years. Throughout this duration, the team meticulously crafted and contemplated every facet of the film, starting from scratch to build an entirely new and immersive world. His conviction that this thorough and thoughtful approach will resonate with audiences is evident, expressing a belief that viewers will genuinely appreciate and embrace the creative vision behind the film.
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