Jr NTR’s solo-release after 6 years is a huge disappointment for cinema-lovers, fans might cherish Jr. NTR. But, it requires patience that we needed while
Devara (2024): Koratala Siva’s Formulaic Fad of Sequels Ruins Devara. Read More »
The USP (Unique Selling Point) of any buddy-comedy is the relatability and resonance of life that we lived and dream to live. Vaazha taps the
HBO brings in the darker world of Gotham with an utterly unidentifiable character transformation of Colin Farrell playing the underdog small-time ambitious kingpin, Oswald Cobb.
The cinematic portrayal of kids on screen imagined by adults is often an issue, just like men writing the characters of women. In Sopathulu too,
Sopathulu (2024): Easy Going Breeze of Bromance that Almost Feels like a Love Story. Read More »
A surprising and confused screenplay of Atul Sabharwal’s espionage thriller Berlin, now streaming on Zee5, leaves you wondering more questions than the answers. Berlin is
Berlin (2023): Mysterious Slow-Burning Mystery that Intrigues More Questions. Read More »
K Balachander’s directorial about a woman’s content of life without depending solely on the man’s approval stuck with three heroes: Chiranjeevi, Kamal Haasan and Sarath
Idi Katha Kaadu (1979): Revisiting Villainous Chiranjeevi in Chalam’s World of Women. Read More »
Sector 36 Movie Review Sector 36 is that rare theme-blending Netflix-ified drama that goes beyond the gore of a brutal serial killings and offers us
Sector 36 (2024): Blood-Curdling Darkest Murder Drama with a Class Commentary. Read More »
The sequel to Ritesh Rana’s Mathu Vadalara is an edge-seater that continues the same quirkiness and the laughter continues even after 5 years. Ritesh recreates
Movies that arrive at festivals like Sankranti (Pongal), Dussehra, or Eid and Onam– for Malayalees– will aim to have a special quality of being all-pleaser
Whenever a filmmaker comes with an idea about the lives of urban IT-Tech people, it always leaves me wondering: what is it that TVF is
