Dilruba debuted in theatres with Thursday’s premieres. Here is the film’s review by Telugu Funda.
Telugu Funda’s reveal of the basic plot:
Siddhu (Kiran Abbavaram) has been going through personal disturbance after a heart-rending break-up and the demise of his father. Owing to the twin experiences, which are inter-related, he is circumspect and avoids girls. By a quirk of fate, he repeatedly bumps into Anjali (Rukshar Dhillon), the assertive daughter of a Circle Inspector. His evolving relationship with Anjali puts him in the path of danger with the entry of a ruthless smuggler named Joker (John Vijay). Adding a layer of complexity to his life is the re-entry of his ex, Maggi (Kathy Davison).
Telugu Funda’s take on the performances:
- Kiran Abbavaram: The success of KA last year adds a layer of aura to his performance. Although a lot of the film was shot before the release of KA, the confidence in Kiran’s body language in the action scenes is palpable. Also, he looks stylish like never before.
- Rukshar Dhillon: The actress has got the looks and the vibe. Since she is part of a coming-of-age love track, the film puts her talent to the best use.
- John Vijay: As a sadistic villain with a comic touch, he is average.
- Kathy Davison: Her dubbing is quite off. She might be suited to play supporting roles in future films.
- Others: The rest, like Aadukalam Naren and Satya, are average.
Telugu Funda’s take on Technical Departments:
- Sam CS’ music is a cut above the rest. The songs (Kanna Nee and Aggipulle) rise above writing-related shortcomings.
- Vishwas Daniel’s cinematography is decent.
- Production Values: So and so. The interval and climax action scenes deserved better padding and staging. They look too amateurish for contemporary standards.
Telugu Funda’s Analysis of Content:
Dilruba has an interesting premise. What if your ex returns to sort out your present? What if you are so heart-broken that you wittingly or unwittingly invite troubles upon troubles? The latter question is ambiguous here. Does Siddhu invite problems at all? If yes, does his stubborn refusal to say ‘Sorry’ justify itself? Should he have been pragmatic? Does his dogmatic behaviour make him unpredictable and foolish? Had the film, written and directed by debutant Viswa Karun, answered these questions in a thoughtful manner, the second half would have been much better.
Dilruba has to be seen more as a character-driven story. Siddhu’s decisions and choices make his and others’ lives questionably difficult. One could argue that he is straight out of Puri Jagannadh’s musings on podcast.
The second hour, where the entry of two characters is conclusive, should have added more meat to the proceedings. Instead of coincidences, the script should have held a twist or two involving Siddu’s plans.
The college campus sub-genre in the first half should have been exploited better. Comedian Satya’s talent remains barely utilized here.
Stunt director Pruthvi’s action choreography is adequately ratched up by Sam CS’ background score. Kiran’s high-energy output also delivers.
Telugu Funda’s Verdict:
Dilruba presents an intriguing concept of a man haunted by past heartbreak and facing present dangers. Kiran Abbavaram’s confident performance and Sam CS’s standout music are highlights, but even pacing would have surprised the audience.
Rating: 2.5
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