October 15, 2026

NTR Dragon shooting update: After a nearly three-month break to recover from shoulder surgery, NTR has returned to the sets of Dragon, directed by Prashanth Neel. The latest schedule of the much-awaited action drama has reportedly resumed at Ramoji Film City, raising excitement among fans.

NTR was recently spotted at the pre-release event of SS Karthikeya’s Don’t Trouble The Trouble. The actor appeared to be recovering from his shoulder surgery and was still wearing a sling for support. He had reportedly strained his shoulder and undergone surgery in August, following which he took a break from shooting to focus on his recovery. With his return to the sets, the film’s production has now moved forward.

Director Prashanth Neel is known for his intense mass storytelling and larger-than-life action sequences in the KGF franchise and Salaar. His collaboration with NTR has generated considerable buzz, with fans eagerly anticipating a powerful action spectacle. The film features Rukmini Vasanth as the female lead, while Anil Kapoor plays a key role. Produced by Mythri Movie Makers, Dragon is scheduled to hit theatres in June 2027.

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Naga Chaitanya is all set to take audiences into a mysterious world with Vrushakarma, his most expensive film to date. After scoring the biggest hit of his career with Thandel, the actor is gearing up for this mystical thriller directed by Virupaksha fame Karthik Varma Dandu. The film has already generated considerable buzz with its intriguing promotional content.

Marking the 50-day countdown to Vrushakarma’s theatrical release, the makers unveiled a striking new poster featuring Naga Chaitanya in an intense avatar. Holding a grappling hook and seemingly preparing to climb up, the actor’s fierce expression adds to the film’s mysterious atmosphere. The latest poster has further raised expectations among movie lovers.

The team promises that Vrushakarma will deliver one of the best theatrical experiences of the year. The film is scheduled to hit the big screens on December 4, 2026, with Meenakshi Chaudhary playing the female lead.

Laapataa Ladies fame Sparsh Shrivastava is making his Tollywood debut with this big-budget venture, playing the antagonist. Produced by BVSN Prasad under the Sri Venkateswara Cine Chitra banner, the film features music by Ajaneesh Loknath. With its mystical backdrop and intriguing visuals, Vrushakarma is shaping up to be one of Naga Chaitanya’s most ambitious projects.

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Sundeep Kishan is gearing up for one of the most ambitious projects of his career with Karikaala, a pan-India socio-fantasy film set in a mythical world filled with powerful warriors, ancient mysteries, and grand adventures. The film officially began its journey with a traditional pooja ceremony, marking the start of a project planned on a massive scale.

Produced by Mahidhar Reddy and Rajashekhar Annabhimoju under the Shining Pictures banner, Karikaala is directed by Ugandhar Muni, who previously helmed Shambhala. The filmmaker is now exploring a much larger cinematic canvas, blending mythology, fantasy, adventure, and social elements into an expansive narrative.

The makers have already generated interest with the film’s title announcement and first-look poster. Sundeep Kishan appears in a fierce warrior avatar, hinting at a character connected to an ancient world filled with secrets and challenges. The striking look has raised expectations for the film’s visual scale and fantasy elements.

Catherine Tresa, Sakkshi Mhadolkar, and Gayatri Bhardwaj have been cast as the female leads. Sricharan Pakala is composing the music, while details about the remaining cast and technical crew are expected to be announced later.

The biggest highlight is the makers’ plan to release Karikaala in two chapters within the same year. Chapter 1 is scheduled to hit worldwide theatres on July 2, 2027, followed by Chapter 2 on October 28, 2027. With just a few months between the releases, the team aims to present the story as an interconnected cinematic experience.

Being made in Telugu, Tamil, and Hindi, Karikaala is targeting audiences across multiple markets. With its mythical setting, warrior-driven story, and two-part release strategy, the film is shaping up to be a major addition to Sundeep Kishan’s filmography.

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Punchline:

Rajinikanth’s trademark style and entertaining comedy make Jailer 2 a decent watch, but a thin storyline and a lengthy second half limit its impact.

Storyline:

In Jailer 2, Superstar Rajinikanth reprises his role as Tiger Muthuvel Pandian, taking the story forward from the 2023 hit. The death of Varma (Vinayakan) triggers a dangerous hunt, with several major smuggling gangs determined to identify and eliminate the person responsible. Muthuvel Pandian, who has been enjoying a quiet life, finds himself caught in the middle of this growing conflict. As he digs deeper into the criminal underworld, he sets out to expose the key players and confront the forces behind the operation.

Positives:

Rajinikanth remains the biggest strength of Jailer 2. His signature walk, stylish gestures, slow removal of his glasses, and commanding screen presence continue to entertain fans. He carries the character with ease, delivering the kind of mass moments audiences expect from him.

The first half offers a good dose of comedy, with Namo Narayana getting plenty of opportunities to entertain. His character’s overconfidence and deadpan exchanges with Rajinikanth work well, while Yogi Babu also contributes to the humour. These sequences provide some enjoyable moments in Nelson Dilipkumar’s familiar style.

S. J. Suryah performs well as the main antagonist, although the role does not offer anything particularly new for him. Vidya Balan makes an interesting impression as his on-screen sister, handling her negative character convincingly. Suraj Venjaramoodu is also effective in his role.

Anirudh Ravichander’s background score adds energy to several important sequences, especially the action blocks. The return of the original Jailer theme helps create the required atmosphere. The climax also offers a reasonable setup for the next chapter.

Negatives:

The biggest drawback of Jailer 2 is its weak storyline. The plot feels thin, with several sequences appearing to exist mainly to elevate Rajinikanth’s character. The narrative also follows a structure similar to the first instalment, making it difficult for the sequel to deliver enough freshness.

The pacing becomes another major issue, particularly in the second half. With a runtime of nearly three hours, the film feels unnecessarily stretched in places. The gaps between major sequences affect the flow, and a tighter edit could have made the overall experience more engaging.

The much-anticipated cameos are also underwhelming. Mohanlal appears only briefly, while Shiva Rajkumar gets limited scope despite having around ten minutes of screen time. Jackie Shroff has little to contribute, and Mithun Chakraborty is barely utilised.

Hrithik Roshan’s introductory sequence fails to create the expected impact. Namo Narayana’s comedy is one of the first half’s highlights, but his reduced presence in the second half also affects the film’s entertainment quotient.

Technicalities:

Director Nelson Dilipkumar relies heavily on Rajinikanth’s hero moments, comedy, and stylish action rather than developing a compelling narrative. While these elements work in parts, stronger writing and better pacing could have significantly improved the film.

Anirudh Ravichander’s background score is a major asset, particularly during the action sequences and elevation scenes. Vijay Kartik Kannan’s cinematography supports the film’s larger-than-life presentation, while R. Nirmal’s editing is adequate but could have been sharper to control the runtime.

The production values match the scale of the film, and the technical presentation maintains the expected commercial appeal.

Rating: 3.25/5

Final Verdict:

On the whole, Jailer 2 is a decent commercial entertainer that relies largely on Rajinikanth’s screen presence, signature style, and first-half comedy. S. J. Suryah, Vidya Balan, and the background score add value, but the thin storyline, lengthy runtime, stretched second half, and underwhelming cameos prevent the film from reaching its full potential. Fans of Rajinikanth’s mass moments may find enough to enjoy, but those expecting a stronger story and more impactful cameos may be disappointed.

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